Finding aid for the Marcel Dick Papers
|
|
|
Title: |
Marcel Dick Papers |
Repository: |
Case Western Reserve University
http://library.case.edu/ksl/collections/special/index.html
|
Creator: |
Marcel Dick |
Dates: |
1921-2006 |
Quantity: |
17 linear feet |
Abstract: |
The Marcel Dick Papers consist of compositions, sketchbooks, correspondence, clippings, oral history transcripts, programs,
and lectures. Spanning the years 1921-2006, the collection documents his career as a composer and music educator in Europe
and the United States.
|
Identification: |
SpeColl Dick |
Location: |
Special Collections Research Center |
Language: |
The records are in English |
Biography of Marcel Dick
Marcel Dick was born in Miskilcz, Hungary, in 1898, to Miklos and Anna Dick. He had two siblings, a brother named Robert and
a sister named Alice. Dick began his music studies at an early age; by age five he had begun violin lessons and gave his first
public recital at six. He enrolled in the Royal Academy in Budapest, Hungary at age eleven. There he studied violin under
Joseph Bloch and Rezso Kemeny, and studied theory and composition under Victor Herzfeld and Zoltan Kodaly. By the age of fifteen
he had earned his degree in violin and was appointed Professor of Music at age nineteen. From 1919 to 1921, Dick worked as
a violist with the Budapest Opera and Budapest Philharmonic. In 1921 he moved to Vienna where he served as assistant concertmaster
of the Volksoper for the 1922-1923 season. From 1923-1934 he was the principle violist of the Vienna Symphony Orchestra. Concurrently,
he played with the Gottesmann Quartet and, in 1924 co-founded the Kolisch Quartet.
In response to the spread of anti-Semitism throughout Europe, Dick and his wife, Ann, moved to the United States in 1934.
Shortly after emigrating he became the principle violist of the Detroit Symphony Orchestra. From 1935-1943 he also played
with the Stradivarius Quartet, then affiliated with Harvard University. From 1943-1949 he was principal violist for the Cleveland
Orchestra which position he left to become department head of graduate theory and composition at the Cleveland Institute of
Music (CIM). He remained in that position until his retirement in 1973.
In 1962, Dick received the Music Award of the Cleveland Arts Prize, given annually to leading creative artist in the Cleveland
area. In 1978, he was awarded an honorary degree of Doctor of Musical Arts from CIM. Dick was invited to conduct several orchestras
throughout his career including the Longy School Orchestra in Cambridge, Massachusetts, the CIM orchestra, the Shaker Symphony
in Shaker Heights, Ohio, and, the Cleveland Orchestra. He taught at the Royal Academy in Budapest, the Municipal School of
Music in Vienna, the Black Mountain Music School in North Carolina, Kenyon College, Case Western Reserve University, and Cuyahoga
Community College. Married in 1927, he and his first wife, Hela, divorced in 1929. Dick married his second wife, Ann Weil,
a native of New York City, in 1932. They had one daughter, Suzanne. Marcel Dick died in Cleveland Heights, Ohio, in December,
1991 at the age of 93.
Scope and Content
The Marcel Dick Papers consist of compositions, sketchbooks, correspondence, clippings, oral history transcripts, programs,
and lectures. Spanning the years 1921-2006, the collection documents his career as a composer and music educator in Europe
and the United States. The collection is arranged into the following series and subseries: Series 1: Compositions Subseries
1: Chamber Music Subseries 2: Orchestral Music Subseries 3: Miscellaneous Series 2: Personal Papers Subseries 1: Miscellaneous
Subseries 2: Lectures The Marcel Dick Papers were acquired by the Special Collections Research Center at the Kelvin Smith
Library of Case Western Reserve University in two gifts from Marcel Dick in 1981 and from his daughter, Suzanne Dick in 2000.
Additions in the form of commemorative programs are added on occasion.
Series 1: Compositions. 1921-1984. Though Dick began writing as a young man, the earliest composition in the collection dates
to 1921. Dick did not compose between 1922 and 1934, roughly the years he worked with Arnold Schoenberg, claiming that -working with Schoenberg you were too overwhelmed by Schoenberg himself to compose.-
Subseries 1: Chamber Music. 1921-1984. Includes quintets, quartets, trios, duos, and solo works. There are many copies of
the same piece as well, for example: there is a handwritten copy of the score for his work An Irrelevant Manifesto as well as a photocopy of the score and the handwritten parts of the cello, oboe, trumpet, harp, and percussion. String Quartet
No. 1, his first work completed after working with Schoenberg, is included in this subseries as well as his three other string
quartet compositions. Trios, duos, and songs are also part of this subseries.
Subseries 2: Orchestral Music. 1932-1982. Includes symphonies and compositions for small orchestras. Examples include First
Symphony, considered his major work, Symphony for Strings and Variations, Interludes, and Cadenzas for Small Orchestra, and Adagio and Rondo, which introduced the composer to New York audiences.
Subseries 3: Miscellaneous. 1921-1977. Includes handwritten manuscripts with tone rows, which Dick used as his blueprints
for compositions or musical sketches that may or may not have been used in later works. This subseries also has sketchbooks
dated 1921-1977, many of which contain tone rows and musical ideas in his hand and unidentified full works.
Series 2: Personal Papers. 1921-2006. Includes personal papers consisting of correspondence, clippings, lectures given to
Cleveland area interest groups, and the rough and final transcripts of an oral history conducted by Anne Trenkamp.
Subseries 1: Miscellaneous. 1923-2006 and undated. Includes correspondence, clippings, citizenship papers, event programs
and two copies each of the rough draft and the final transcript of an oral history conducted by Dr. Anne Trenkamp in a series
of interviews conducted in 1974. A copy of Studies in the Schoenbergian Movement in Vienna and the United States Essays in
Honor of Marcel Dick. Trenkamp, Anne, and Suess, John G. , editors, 1990, has been filed in this subseries as well.
Subseries 2: Lectures. 1961-1984. Consists of public lectures given to Cleveland area interest groups on a range of musical
topics.
Statement of Arrangement
The Collection is divided into 2 series and 5 subseries
Indexing Terms
The following terms have been used to index the description of this collection in the library's online public access catalog.
Persons:
Marcel Dick
Preferred Citation
Citations should be written as follows: [Box Number, Folder Number], The Marcel Dick Papers in the Special Collections Research
Center at the Kelvin Smith Library, Case Western Reserve University
Acquisition Information
The Marcel Dick Papers were acquired by the Special Collections Research Center at the Kelvin Smith Library of Case Western
Reserve University in two gifts from Marcel Dick in 1981 and from his daughter, Suzanne Dick in 2000. Additions in the form
of commemorative programs are added on occasion.
Detailed Description of The Collection
Series 1: Compositions, 1921-1984
Subseries 1: Chamber Music, 1921-1984
Box 1 / Folder 1
An Irrelevant Manifesto. Full score, handwritten original. 82 pages, 28cm, 1980
Box 1 / Folder 1
An Irrelevant Manifesto. Full score, photocopy. 82 leaves. 28cm, 1980
Box 1 / Folder 2
An Irrelevant Manifesto. Cello part, onion skin paper, handwritten original 7 pages, 33cm, 1980
Box 1 / Folder 2
An Irrelevant Manifesto. Flute part, onion skin paper, handwritten original 8 pages, 33cm, 1980
Box 1 / Folder 3
An Irrelevant Manifesto. Oboe part, onion skin paper, handwritten original 7 pages. 33cm, 1980
Box 1 / Folder 3
An Irrelevant Manifesto. Trumpet part, onion skin paper, handwritten original. 6 pages. 33cm, 1980
Box 1 / Folder 4
An Irrelevant Manifesto. Harp part, onion skin paper, handwritten original. 12 pages. 33cm, 1980
Box 1 / Folder 4
An Irrelevant Manifesto. Percussion part, onion skin paper, handwritten original. 6 pages. 33cm, 1980
Box 1 / Folder 5
An Irrelevant Manifesto. Full score, onion skin paper, handwritten. 33 leaves. 33cm, 1980
Box 1 / Folder 6
An Irrelevant Manifesto. Full score, photocopy. 14 pages. 28cm, 1980
Box 1 / Folder 7
String Quartet No. 1. Full score, onion skin paper, handwritten original. 53 leaves. 34cm, 1935
Box 1 / Folder 8
String Quartet No. 1. Full score, photocopy. 26 pages. 34cm, 1935
Box 1 / Folder 9
String Quartet: Theme and Variations. Full score, handwritten original. 33 pages. 31cm, 1981
Box 1 / Folder 10
Quintet in One Movement. Full score, onion skin paper. 50 leaves. 31cm, 1984
Box 1 / Folder 10
Quintet in One Movement. Flute part, onion skin paper. 5 leaves. 35cm, 1984
Box 1 / Folder 11
Quintet in One Movement. Clarinet part, onion skin paper. 5 leaves. 35cm, 1984
Box 1 / Folder 11
Quintet in One Movement. Trumpet part, onion skin paper. 4 leaves. 35cm, 1984
Box 1 / Folder 12
Quintet in One Movement. Cello part, onion skin paper. 5 leaves. 35cm, 1984
Box 1 / Folder 13
Quintet in One Movement. Full score, handwritten original. 39 leaves. 28cm, 1984
Box 2 / Folder 1
Quintet in One Movement. Full score, photocopy, fingerings marked. 48 pages. 33cm, 1984
Box 2 / Folder 2
Quintet in One Movement. Full score, photocopy. 39 leaves. 28cm, 1984
Box 2 / Folder 3
Quintet in One Movement. Clarinet part, published copy, performer’s notes. 3 pages. 35cm, 1984
Box 2 / Folder 3
Quintet in One Movement. Flute part, published copy. 3 pages. 35cm, 1984
Box 2 / Folder 3
Quintet in One Movement. Cello part, published copy, performers notes. 3 pages. 35cm, 1984
Box 2 / Folder 4
Fourth String Quartet. Cello part, performers notes, photocopy. 6 pages. 33cm, 1981
Box 2 / Folder 5
Fourth String Quartet. Violin I part, performers notes, photocopy. 8 pages. 33cm, 1981
Box 2 / Folder 6
Fourth String Quartet. Viola part, performers notes, photocopy. 6 pages. 33cm, 1981
Box 2 / Folder 7
Fourth String Quartet. Violin II part, performers notes, photocopy. 6 pages. 33cm, 1981
Box 2 / Folder 8
Fourth String Quartet. Full score, published copy. 48 pages. 35cm, 1981
Box 2 / Folder 9
Fourth String Quartet. Full score, onion skin paper, photocopy. 48 leaves. 35cm, 1981
Box 2 / Folder 10
Fourth String Quartet. Full score, photocopy of sketchbook. 35 pages. 21cm, 1981
Box 2 / Folder 10
Fourth String Quartet. Full score, photocopy of sketchbook. 35 pages. 21cm, 1981
Box 2 / Folder 11
Fourth String Quartet. Full score, photocopy. 71 pages. 21cm, 1981
Box 2 / Folder 12
Fourth String Quartet. Violin I part, onion skin paper, printed copy. 16 leaves. 32cm, 1981
Box 2 / Folder 12
Fourth String Quartet. Violin II part, onion skin paper, printed copy. 12 leaves. 35cm, 1981
Box 2 / Folder 13
Fourth String Quartet. Viola part, onion skin paper, printed copy. 10 leaves. 35cm, 1981
Box 2 / Folder 13
Fourth String Quartet. Cello part, onion skin paper, printed copy. 11 leaves. 35cm, 1981
Box 2 / Folder 14
String Quartet No. 2. Violin I part, onion skin paper. 23 leaves. 35cm, 1938
Box 2 / Folder 14
String Quartet No. 2. Violin II part, onion skin paper. 25 leaves. 35cm, 1938
Box 2 / Folder 15
String Quartet No. 2. Cello part, onion skin paper. 23 leaves. 35cm, 1938
Box 2 / Folder 15
String Quartet No. 2. Viola part, onion skin paper. 27 leaves. 35cm, 1938
Box 3 / Folder 1
String Quartet No. 2. Full score, black paper, photocopy. 104 leaves. 34cm, 1938
Box 3 / Folder 2
String Quartet No. 2. Full score, photocopy. 104 leaves. 28cm, 1938
Box 3 / Folder 3
String Quartet No. 2. Full score, photocopy. 104 pages. 33cm, 1938
Box 3 / Folder 4
Third String Quartet. Full score, hard cover, photocopy. 25 pages, 1964
Box 3 / Folder 5
Third String Quartet. Full score, photocopy from onion skin paper. 50 pages. 34cm, 1964
Box 3 / Folder 6
Third String Quartet. Full score, onion skin paper, handwritten original. 50 leaves. 34cm, 1964
Box 3 / Folder 7
Third String Quartet. Violin I part, onion skin paper, handwritten. 12 leaves. 31cm, 1964
Box 3 / Folder 7
Third String Quartet. Violin II part, onion skin paper, handwritten. 11 leaves. 31cm, 1964
Box 3 / Folder 8
Third String Quartet. Viola part, onion skin paper, handwritten. 12 leaves. 31cm, 1964
Box 3 / Folder 8
Third String Quartet. Cello part, onion skin paper, handwritten. 11 leaves. 31cm, 1964
Box 4 / Folder 1
Rhapsody for Flute, Cello, and Harp. Copy of onion skin paper. 13 pages. 34cm, 1970
Box 4 / Folder 2
Rhapsody for Flute, Cello, and Harp. Full score, onion skin paper, handwritten. 26 leaves. 34cm, 1970
Box 4 / Folder 3
Rhapsody for Flute, Cello, and Harp. Flute part, onion skin paper, handwritten original. 3 pages. 31cm, 1970
Box 4 / Folder 3
Rhapsody for Flute, Cello, and Harp. Cello part, onion skin paper, handwritten original. 3 pages. 31cm, 1970
Box 4 / Folder 4
Rhapsody for Flute, Cello, and Harp. Harp part, onion skin paper, handwritten. 10 pages. 31cm, 1970
Box 4 / Folder 5
Trio for Violin, Cello, and Piano. Copy, front page signed in pen by Dick to Joan Eaton for Christmas, 1961. 40 pages. 31cm, 1958
Box 4 / Folder 6
Trio for Violin, Cello, and Piano. Full score, photocopy. 40 pages. 35cm, 1958
Box 4 / Folder 7
Trio for Violin, Cello, and Piano. Full score, onion skin paper, handwritten. 81 leaves. 30cm, 1958
Box 4 / Folder 8
A Folio of Eight Japanese Miniatures. Full score, photocopy. 22 pages. 28cm, 1984
Box 4 / Folder 8
A Folio of Eight Japanese Miniatures. Full score, onion skin paper. 28 leaves. 36cm, 1984
Box 4 / Folder 9
A Folio of Eight Japanese Miniatures. Full score, published copy, 2 copies. 13 pages. 36cm, 1984
Box 4 / Folder 9
A Folio of Eight Japanese Miniatures. Flute part, published copy, 5 pages. 36cm. two copies, 1984
Box 4 / Folder 10
A Folio of Eight Japanese Miniatures. Flute part, onion skin paper. 5 pages. 35cm, 1984
Box 4 / Folder 10
A Folio of Eight Japanese Miniatures. Full score, published copy. 26 pages. 35cm, 1984
Box 5 / Folder 1
Suite for Two Pianos. Full score, onion skin paper, handwritten. 35 leaves. 34cm, 1981
Box 5 / Folder 2
Suite for Two Pianos. Full score, photocopy of onion skin paper. 35 pages. 34cm, 1981
Box 5 / Folder 3
Suite for Two Pianos. Full score, copy. 35 pages. 34cm, 1981
Box 5 / Folder 4
Seven for Three. Violin part, copy of onion skin paper. 9 leaves. 32cm, 1968
Box 5 / Folder 4
Seven for Three. Violin part, onion skin paper, handwritten. 9 leaves. 31cm, 1968
Box 5 / Folder 5
Seven for Three. Viola part, copy of onion skin paper. 7 leaves. 32cm, 1968
Box 5 / Folder 5
Seven for Three. Viola part, onion skin paper, handwritten. 7 leaves. 31cm, 1968
Box 5 / Folder 6
Seven for Three. Cello part, copy of onion skin paper. 9 leaves. 32cm, 1968
Box 5 / Folder 6
Seven for Three. Cello part, onion skin paper, handwritten. 9 leaves. 31cm, 1968
Box 5 / Folder 7
Seven for Three. Full score, copy of atypical score. 23 pages. 35cm, 1968
Box 5 / Folder 7
Seven for Three. Full score, atypical format, onion skin paper, handwritten original. 24 leaves. 34cm, 1968
Box 5 / Folder 8
Dialogue for Clarinet and Piano. Clarinet part, published copy. 3 leaves. 36cm, 1974
Box 5 / Folder 8
Dialogue for Clarinet and Piano. Clarinet part, onion skin paper. 3 leaves. 35cm, 1974
Box 5 / Folder 9
Dialogue for Clarinet and Piano. Full score, copy. 10 pages. 34cm, 1974
Box 5 / Folder 10
Dialogue for Clarinet and Piano. Clarinet part, photocopy of onion skin paper. 4 pages. 34cm, 1974
Box 5 / Folder 10
Dialogue for Clarinet and Piano. Clarinet part, photocopy of onion skin paper. 4 pages. 34cm, 1974
Box 5 / Folder 11
Dialogue for Clarinet and Piano. Full score, onion skin paper, handwritten. 10 leaves. 34cm, 1974
Box 5 / Folder 12
Dialogue for Clarinet and Piano. Clarinet part, onion skin paper. 4 leaves. 33cm, 1974
Box 5 / Folder 13
Dialogue for Clarinet and Piano. Full score, photocopy. 10 leaves. 28cm, 1974
Box 5 / Folder 13
Dialogue for Clarinet and Piano. Clarinet part, published copy. 3 leaves. 28cm, 1974
Box 5 / Folder 14
An Essay. Violin part, published copy. 6 pages. 33cm, 1955
Box 5 / Folder 14
An Essay. Violin part, onion skin paper, handwritten. 7 leaves. 31cm, 1955
Box 5 / Folder 15
An Essay. Full score, published copy. 30 pages. 33cm, 1955
Box 5 / Folder 16
An Essay. Full score, onion skin paper, handwritten. 30 leaves. 32cm, 1955
Box 5 / Folder 16
An Essay. Full score, photocopy. 30 pages. 36cm, 1955
Box 5 / Folder 17
An Essay. Violin part, photocopy. 6 pages. 31cm, 1955
Box 6 / Folder 1
Sonnet from the Portuguese. Photocopy. 10 leaves. 28cm, 1956
Box 6 / Folder 1
Sonnet from the Portuguese. Onion skin paper, handwritten. 10 leaves. 32cm, 1956
Box 6 / Folder 2
Sonnet from the Portuguese. Photocopy, lots of performers pencil markings. 9 pages. 31cm, 1956
Box 6 / Folder 2
Sonnet from the Portuguese. Photocopy. 9 leaves. 33cm, 1956
Box 6 / Folder 3
Sonnet from the Portuguese. Handwritten. 9 pages. 31cm, 1956
Box 6 / Folder 4
Loves Secret. Photocopy. 4 leaves. 35cm, 1950
Box 6 / Folder 4
Loves Secret. Photocopy. Performers markings in pencil. 4 pages. 34cm, 1950
Box 6 / Folder 5
Loves Secret. Photocopy. 4 pages. 34cm, 1950
Box 6 / Folder 5
Loves Secret. Photocopy. 5 pages. 31cm, 1950
Box 6 / Folder 6
Loves Secret. Onion skin paper, handwritten. 4 leaves. 34cm, 1950
Box 6 / Folder 6
Loves Secret. Onion skin paper, handwritten. 5 leaves. 30cm, 1950
Box 6 / Folder 7
Loves Secret. Handwritten. 5 pages. 34cm, 1950
Box 6 / Folder 7
Loves Secret. Handwritten, crossed out corrections by Dick? 5 pages. 34cm, 1950
Box 6 / Folder 8
Klavierstuck. Handwritten, some pencil markings, possibly corrections. 8 pages. 32cm, 1921
Box 6 / Folder 8
Klavierstuck. Photocopy. 12 leaves. 34cm, 1921
Box 6 / Folder 9
Whereon the Pillars. Onion skin paper, handwritten. 6 leaves. 34cm, 1950
Box 6 / Folder 9
Whereon the Pillars. Handwritten, pencil corrections by Dick. 6 pages. 34cm, 1950
Box 6 / Folder 10
Whereon the Pillars. Photocopy. 6 pages. 34cm, 1950
Box 6 / Folder 10
Whereon the Pillars. Photocopy. 6 pages. 34cm, 1950
Box 6 / Folder 11
Whereon the Pillars. Photocopy, performers markings. 6 pages. 34cm, 1950
Box 6 / Folder 11
Whereon the Pillars. Photocopy. 5 leaves. 35cm, 1950
Box 6 / Folder 12
Music for Organ. Photocopy. 28 leaves. 28cm, 1976
Box 6 / Folder 12
Music for Organ. Copy. 28 pages. 34cm, 1976
Box 6 / Folder 13
Music for Organ. Full score, photocopy. 28 leaves. 28cm, 1976
Box 6 / Folder 13
Music for Organ. Full score, onion skin paper, handwritten original. 28 leaves. 34cm, 1976
Box 6 / Folder 14
Three for One. Photocopy. 5 pages. 35cm, 1981
Box 6 / Folder 14
Three for One. Photocopy. 5 pages. 35cm, 1981
Box 6 / Folder 15
Three for One. Photocopy. 5 pages. 34cm, 1981
Box 6 / Folder 16
Three for One. Onion skin paper, handwritten. 5 leaves. 34cm, 1981
Box 6 / Folder 17
Three for One. Onion skin paper, copy, 5 pages. 34cm, 1981
Box 6 / Folder 18
Sonata for Piano. Photocopy. 26 leaves. 36cm, 1973
Box 6 / Folder 19
Sonata for Piano. Onion skin paper, handwritten original. 26 leaves. 34cm, 1973
Box 6 / Folder 20
Four Elegies and an Epilogue. Published copy. 4 pages. 30cm, 1949
Box 6 / Folder 20
Four Elegies and an Epilogue. Photocopy. 4 leaves. 31cm, 1949
Box 6 / Folder 21
Four Elegies and an Epilogue. Handwritten original, no title on composition. 2 pages. 35cm, 1949
Box 6 / Folder 22
Musings of the Black Moon. Published copy. 4 leaves. 28cm, 1949
Box 7 / Folder 1
Suite for Piano. Photocopy, fingerings marked by performer. 29 pages. 32cm, 1959
Box 7 / Folder 1
Suite for Piano. Photocopy lots of edits in red pencil by Dick, fingerings marked by performer. 29 pages. 32cm, 1959
Box 7 / Folder 2
Suite for Piano. Photocopy. 29 leaves. 28cm, 1959
Box 7 / Folder 2
Suite for Piano. Published copy. 29 pages. 33cm, 1959
Box 7 / Folder 3
Suite for Piano. Photocopy, fingerings marked by performer, photocopy of original inside front cover with bio included. 30
pages. 32cm, 1959
Box 7 / Folder 4
Suite for Piano. Original handwritten, onion skin paper. 30 leaves. 31cm, 1959
Box 7 / Folder 5
Sonata for Violin and Cello. Full score, handwritten, no title on manuscript. 4 pages. 34cm, 1959
Box 7 / Folder 6
Sonata for Violin and Cello. Cello part, published copy, performers notes marked. 11 pages. 34cm, 1951
Box 7 / Folder 7
Sonata for Violin and Cello. Full score, handwritten, onion skin paper. 36 leaves. 30cm, 1951
Box 7 / Folder 8
Sonata for Violin and Cello. Cello part, onion skin paper, published copy. 12 leaves. 35cm, 1951
Box 7 / Folder 8
Sonata for Violin and Cello. Violin part, onion skin paper, published copy, page 7 and Mvmt. II missing. 11 pages. 35cm, 1951
Box 7 / Folder 9
Sonata for Violin and Cello. Cello part, onion skin paper, handwritten. 11 pages. 35cm, 1951
Box 7 / Folder 9
Sonata for Violin and Cello. Violin part, onion skin paper, handwritten, incomplete. 3 pages. 35cm, 1951
Subseries 2: Orchestral Music, 1932-1982
Box 7 / Folder 10
Symphony No. 3. Full score, onion skin paper, fractions written in at the beginning of measures. 131 leaves. 51cm, 1982
Box 8 / Folder 1
Symphony No. 3. Mvmt I, full score, handwritten. 21 pages. 35cm, 1982
Box 8 / Folder 1
Symphony No. 3. Mvmt. II-IV, full score, onion skin paper, handwritten original. 130 leaves. 45cm, 1982
Box 8 / Folder 2
Symphony No. 3. Full score, published copy. 121 pages. 50cm, 1982
Box 8 / Folder 3
Concerto for Chamber Orchestra. Full score, onion skin paper, handwritten. 80 leaves. 34cm, 1981
Box 8 / Folder 4
Concerto for Chamber Orchestra. Full score, photocopy. 79 pages. 35cm, 1981
Box 8 / Folder 5
Concerto for Chamber Orchestra Full score, photocopy. 79 pages. 34cm, 1981
Box 8 / Folder 6
Concerto for Chamber Orchestra. Full score, photocopy. 79 leaves. 44cm, 1981
Box 9 / Folder 1
Symphony for Strings. 1st orchestra, 2nd violin part, published copy. 11 leaves. 31cm, 1962
Box 9 / Folder 1
Symphony for Strings. 1st orchestra, viola part, published copy. 10 pages. 31cm, 1962
Box 9 / Folder 2
Symphony for Strings. 2nd orchestra, 1st violin part, published copy. 11 pages. 31cm, 1962
Box 9 / Folder 2
Symphony for Strings. 2nd orchestra, 2nd violin part, published copy. 10 pages. 31cm, 1962
Box 9 / Folder 3
Symphony for Strings. 2nd orchestra, viola part, published copy. 9 pages. 31cm, 1962
Box 9 / Folder 3
Symphony for Strings. 2nd orchestra, viola part, published copy. 9 pages. 31cm, 1962
Box 9 / Folder 4
Symphony for Strings. 1st orchestra, bass part, published copy. 4 pages. 31cm, 1962
Box 9 / Folder 4
Symphony for Strings. 1st orchestra, bass part, published copy. 4 pages. 31cm, 1962
Box 9 / Folder 5
Symphony for Strings. 2nd orchestra, bass part, published copy. 4 pages. 31cm, 1962
Box 9 / Folder 6
Symphony for Strings. Full score, photocopy. 110 pages. 32cm, 1962
Box 9 / Folder 7
Symphony for Strings. Full score, photocopy, inscribed by Dick - This is for Linda from Marcel - on front page. 110 pages.
32cm, 1962
Box 9 / Folder 8
Variations, Interludes, & Cadenzas for Small Orchestra. 1st violin part, onion skin paper, handwritten original, no title
on work. 7 pages. 31cm, 1967
Box 9 / Folder 8
Variations, Interludes, & Cadenzas for Small Orchestra. 2nd violin part, onion skin paper, handwritten original, no title
on work. 6 pages. 31cm, 1967
Box 9 / Folder 9
Variations, Interludes, & Cadenzas for Small Orchestra. Viola part, onion skin paper, handwritten original, no title on work.
7 pages. 31cm, 1967
Box 9 / Folder 9
Variations, Interludes, & Cadenzas for Small Orchestra. Cello part, onion skin paper, handwritten original, no title on work.
6 pages. 31cm, 1967
Box 9 / Folder 10
Variations, Interludes, & Cadenzas for Small Orchestra. Bass part, onion skin paper, handwritten original, no title on work.
6 pages. 31cm, 1967
Box 9 / Folder 10
Variations, Interludes, & Cadenzas for Small Orchestra. Flute part, onion skin paper, handwritten original, no title on work.
7 leaves. 31cm, 1967
Box 9 / Folder 11
Variations, Interludes, & Cadenzas for Small Orchestra. Clarinet part, onion skin paper, handwritten original, no title on
work, hole cut in 4th measure of 7th leaf. 7 leaves. 27cm, 1967
Box 9 / Folder 11
Variations, Interludes, & Cadenzas for Small Orchestra. Oboe part, onion skin paper, handwritten original, no title on work.
7 leaves. 27cm, 1967
Box 9 / Folder 12
Variations, Interludes, & Cadenzas for Small Orchestra. Bassoon part, onion skin paper, handwritten original, no title on
work. 6 leaves. 27cm, 1967
Box 9 / Folder 12
Variations, Interludes, & Cadenzas for Small Orchestra. Trumpet part, onion skin paper, handwritten original, no title on
work. 5 leaves. 27cm, 1967
Box 9 / Folder 13
Variations, Interludes, & Cadenzas for Small Orchestra. French Horn part, onion skin paper, handwritten original, no title
on work. 5 leaves. 27cm, 1967
Box 9 / Folder 13
Variations, Interludes, & Cadenzas for Small Orchestra. Trombone part, onion skin paper, handwritten original, no title on
work. 5 leaves. 27cm, 1967
Box 9 / Folder 14
Variations, Interludes, & Cadenzas for Small Orchestra. Harp part, onion skin paper, handwritten original, no title on work.
5 leaves. 31cm, 1967
Box 9 / Folder 14
Variations, Interludes, & Cadenzas for Small Orchestra. Xylophone part, onion skin paper, handwritten original, no title on
work. 2 leaves. 31cm, 1967
Box 9 / Folder 15
Variations, Interludes, & Cadenzas for Small Orchestra. Tympani part, onion skin paper, handwritten original, no title on
work. 3 leaves. 28cm, 1967
Box 9 / Folder 15
Variations, Interludes, & Cadenzas for Small Orchestra. Percussion 4 parts, onion skin paper, handwritten original, no title
on work. 11 pages. 31cm, 1967
Box 9 / Folder 16
Linfauische Overture. Full score, handwritten original. 66 pages. 33cm, 1932
Box 9 / Folder 17
Linfauische Overture. Full score, photocopy. 131 pages. 35cm, 1932
Box 10 / Folder 1
Capriccio for Orchestra. Full score, handwritten original. 78 pages. 53cm, 1955
Box 10 / Folder 2
Symphony No. 1. Full score, handwritten original, no title on manuscript. 263 pages. 53cm, 1948
Box 10 / Folder 3
Adagio and Rondo. Full score, handwritten original, no title on manuscript. 86 pages. 53cm, 1951
Box 11 / Folder 1
Adagio and Rondo. Full score, published copy, many conductors notes. 44 pages. 45cm, 1951
Box 11 / Folder 2
Capriccio for Orchestra. Full score, onion skin paper, handwritten original. 77 leaves. 34cm, 1955
Box 11 / Folder 2
Capriccio for Orchestra. Full score, some handwritten notes by conductor. 42 pages. 34cm, 1955
Box 11 / Folder 4
Dalbusong. Full score, copy. 42 pages. 34cm, 1965
Box 11 / Folder 5
Dalbusong. Copy, percussion part. 11 pages. 34cm, 1965
Box 11 / Folder 6
Dalbusong. Full score, copy. 42 pages. 36cm, 1965
Box 12 / Folder 1
Symphony No. 1. Full score, published copy Mvmts. I & II, written in conductors notes. 148 pages. 36cm, 1948
Box 12 / Folder 2
Symphony No. 1. Full score, published copy, Mvmts. III & IV photocopy of torn out review from Cleveland paper from inside
cover, written in conductors notes. 114 pages. 36cm, 1948
Box 17 / Folder 2
Symphony No. 1. Mvmts. III & IV. Microfilm, 1948
Box 12 / Folder 3
Paraphrase of a Phantasy. Percussion part, onion skin paper, handwritten. 11 leaves. 34cm, no date
Box 12 / Folder 4
Dalbusong. Full score, onion skin paper, handwritten. 45 leaves. 34cm, 1965
Box 12 / Folder 5
Dalbusong. Speech Chorus part, onion skin paper, handwritten. 6 pages. 38cm, 1965
Box 12 / Folder 5
Dalbusong. Percussion part, onion skin paper, handwritten. 17 pages. 34cm, 1965
Box 12 / Folder 6
Dalbusong. Violin part, onion skin paper, handwritten. 5 leaves. 32cm, 1965
Box 12 / Folder 6
Dalbusong. Cello part. incomplete, onion skin paper, handwritten. 2 leaves. 32cm, 1965
Box 12 / Folder 7
Dalbusong. Clarinet part, onion skin paper, handwritten. 3 leaves. 32cm, 1965
Box 12 / Folder 7
Dalbusong. Oboe part, onion skin paper, handwritten. 4 leaves. 32cm, 1965
Box 12 / Folder 8
Dalbusong. Trumpet part, onion skin paper, handwritten. 3 leaves. 32cm, 1965
Box 12 / Folder 8
Dalbusong. French horn part, onion skin paper, handwritten. 3 leaves. 32cm, 1965
Subseries 3: Miscellaneous, 1921-1973
Box 13 / Folder 1
Miscellaneous Musical Sketches. Handwritten, no date
Box 13 / Folder 1
Miscellaneous Musical Sketches. Handwritten, no date
Box 13 / Folder 2
Miscellaneous Musical Sketches. Handwritten, no date
Box 13 / Folder 2
Miscellaneous Musical Sketches. Handwritten, no date
Box 13 / Folder 3
Miscellaneous Musical Sketches. Handwritten, no date
Box 13 / Folder 3
Miscellaneous Musical Sketches. Handwritten, no date
Box 13 / Folder 4
Miscellaneous Musical Sketches. Handwritten, no date
Box 13 / Folder 5
Untitled Composition. String quintet work. 124 pages. 28cm, no date
Box 13 / Folder 6
Untitled Composition. String quartet work, handwritten. 43 pages. 34cm, 1921
Box 13 / Folder 7
Untitled Composition. Orchestral work, handwritten. 12 pages. 27cm, no date
Box 13 / Folder 8
Orphaned Incomplete Handwritten Compositions. Onion skin paper, no date
Box 13 / Folder 9
Orphaned Incomplete Published Compositions. Onion skin paper, no date
Box 13 / Folder 10
Orphaned Incomplete Photocopied Compositions, no date
Box 14 / Folder 1
Sketchbook 1, 1921 - January 1933
Box 14 / Folder 2
Sketchbook 2, 1938 -1948
Box 14 / Folder 3
Sketchbook 3, 1950 -1951
Box 14 / Folder 4
Sketchbook 4, 1952 -1954
Box 14 / Folder 5
Sketchbook 5, 1955 - August 1956
Box 14 / Folder 6
Sketchbook 6, November 1956 - January1958
Box 14 / Folder 7
Sketchbook 7, August 1958 - April 1962
Box 14 / Folder 8
Sketchbook 8, May 1962 - July 1964
Box 15 / Folder 1
Sketchbook 9, December 1964 - July 1965
Box 15 / Folder 2
Sketchbook 10, September 1965 - 1967
Box 15 / Folder 3
Sketchbook 11, 1968 - 1970
Box 15 / Folder 4
Sketchbook 13, May 1976
Box 15 / Folder 5
Sketchbook 14, July 1976 - 1977
Box 15 / Folder 6
Sketchbook 15, no date
Box 15 / Folder 7
Sketchbook, 1973?
Series 2: Personal Papers, 1932-1995
Subseries 1: Miscellaneous, 1932-1995
Box 15 / Folder 8
Correspondence. Ann Dick, 1934 - 1944
Box 15 / Folder 9
Correspondence. General, 1932 - 1995
Box 15 / Folder 10
Clippings, 1965 - 1980
Box 15 / Folder 11
Oral History. Rough Transcript. 1 of 2, 1974
Box 15 / Folder 12
Oral History. Rough Transcript. 2 of 2, 1974
Box 15 / Folder 13
Oral History. Rough Transcript copy. 1 of 2, 1974
Box 15 / Folder 14
Oral History. Rough Transcript copy. 2 of 2, 1974
Box 16 / Folder 1
Oral History. Final Transcript. 1 of 3, 1974
Box 16 / Folder 2
Oral History. Final Transcript. 2 of 3, 1974
Box 16 / Folder 3
Oral History. Final Transcript. 3 of 3, 1974
Box 16 / Folder 4
Oral History. Final Transcript copy. 1 of 3, 1974
Box 16 / Folder 5
Oral History. Final Transcript copy. 2 of 3, 1974
Box 16 / Folder 6
Oral History. Final Transcript copy. 3 of 3, 1974
Box 16 / Folder 7
Passport and Austrian Citizenship Papers, ca.1923 - 1930
Box 16 / Folder 8
Event Programs, 1930 - 2006
Box 17 / Folder 1
Studies in the Schoenbergian Movement in Vienna and the United States: Essays in Honor of Marcel Dick. [A Festschrift containing
essays by the honoree, the Hungarian-born American composer Marcel Dick, who is one of the very last members of Arnold Schoenberg's
inner circle during the 1920s and whose place in the history of the Second Viennese School is assured. Includes studies of
Dick's music, an appendix on The Marcel Dick Collection at Case Western Reserve University, and another appendix covering
Marcel Dick's curriculum vitae. Also includes contributions by Walter A. Strauss, Joan Allen Smith, Wendy Williams Keyes,
Michael Nott, Anne Trenkamp, John G. Suess, John K. Ogasapian, Jody D. Rockmaker, and many others. Mellen Press], 1990
Subseries 2: Lectures, 1961-1984
Box 17 / Folder 3
Arnold Schoenberg and Judaism, February 13, 1961
Box 17 / Folder 4
Arnold Schoenberg Today, ca. 1961
Box 17 / Folder 5
Words and Music, January 10, 1969
Box 17 / Folder 6
The Twenties in Central Europe, December 6. 1970
Box 17 / Folder 7
The Revolution of the Twenties, January 28, 1972
Box 17 / Folder 8
The 1920’s as an Era of Musical Ferment, November 21, 1975
Box 17 / Folder 9
The Viola and its Literature, December 30, 1977
Box 17 / Folder 10
An Introduction to Arnold Schoenbergs Das Buch Der Haengaenden Garten, Op. 15, March 10, 1978
Box 17 / Folder 11
My Relationship with the Three Viennese, January - February 1979
Box 17 / Folder 12
Remarks on Max Reger, May 18, 1980
Box 17 / Folder 13
Schoenberg: Five Pieces for Orchestra, Op. 16, May 13, 1983
Box 17 / Folder 14
On Arnold Schoenberg’s Second String Quartet, Op. 10, November 1984
Box 17 / Folder 15
On Arnold Schoenberg’s Second String Quartet, Op. 10, some pages missing, November 1984
Box 17 / Folder 16
Beethoven’s Fourth Period, no date
Box 17 / Folder 17
Moses and Aron. revisions and notes (1926-1932), no date
Box 17 / Folder 18
Pierrot Lunaire, no date